Nate Orton has roused my long docile participation in the plastic arts, by convincing me, at an early hour of the day, to sign up for launch pad gallery's upcoming showcase: "Family."
So, I (and you) were "enthusuastically and apprehensively invited to explore what family means" at Launch Pad gallery, as part of their 8th annual open-call non-juried group show. I'm excited to participate in this, to which I am bringing both an installation sculpture & hybrid performance, which will be performed, physically, between 6pm & midnight Friday October 2nd, and displayed from the 2nd until November 1st.
This will be the first gallery show I have participated in since the pair of gallery shows that marked my exit from the University of Idaho in Spring, 2006. Fear not- my low-fidelity, low-resolution aesthetic & crypto-linguistic-projection appears to have held its icy constancy during this dormant period, as the liquid nickel of conception sloshed 'round the objective pit.
Launch Pad Gallery 534 SE Oak St Portland, OR 97214
Concrete is only avant garde to the extent it is not subsumed by the hypothetical set we call "poetry." & then or thus or moreso the "hypothetical set" we call visual poetry -even tho its definitions may be broader- is restricted in the sense that it is another pleasure of the idiom. The avant garde (as opposed (literally) to the postavant (which DOES exist), to poets, painters, etc) defines itself (from without) by being an oppositional force. The Situationist anthology wrapped in sandpaper.
And to that extent the avant garde is bad. Mac Low's chance/deterministic pieces are bad to the extent they are poems (ask conventional poets!) but good if not incredible to the extent they are not. -while remaining w/in the definitions of the set- An avant garde work wld not have borders w/in or around it The avant garde artist wld have to be in loathe of his subject If the avant garde artist was a lover of poetry he wld stay away from it
A binary alphabet wld halveto reflect that. Or the diastic selection wld dance to it, as the translation incl. color, it incl. setting, as it incl. character it also incl. movement.
And it isn't that the definitions aren't broad enough for a room-size poetry environment against poetry. Is not the room, or space, the catchall/counterpart to voice?